вторник, 14 мая 2013 г.


Hector Munro (pseudonym Saki, 1870-1916) is a British novelist and a short-story writer. He is best known for his short stories. Hector Hugh Munro was a British writer, whose witty stories satirized Edwardian society and culture.  The author’s style of writing is satirical in a humorous way. He uses a witty tone to mimic characters in order to subtly criticize them. The criticism is done in a subtle way that is humorous. 


In this text the author colorfully describes interesting childhood of the little boy which name is Nicholas. This story told us about the one day of the Nicholas life, the day when he was in disgrace. In this day Nicholas was at home with his aunt. And he realized his dream and scrape in the unknown land, in the lumber-room. Nicholas saw many beautiful things there. His imagination painted the great pictures in his mind. But his aunt began to search for him, and he went out of the lumber-room. But for all life Nicholas remembered those amazing things.


  The story is narrated in the 3d person. The third person point of view is impersonal which fits the impersonal atmosphere of the household.
    The text is full of different stylistic devices. The extract may be divided into 4 logically complete parts:
    The exposition, in which we learn about little Nicholas, his cousins and his strict aunt. Nicholas got into his aunt’s disgrace. So his cousins were to be taken to Jagborough sands that afternoon and he was to stay at home. The aunt was absolutely sure that the boy was determined to get into the gooseberry garden because “I have told him he is not to”.
    The complication, when Nicholas got into an unknown land of lumber-room. Forbidden fruit is sweet and truly the lumber-room is described as a storehouse of unimagined treasure. Every single item brings life and imagination to Nicholas and is symbolic of what the adult of real world lacks. He often pictured to himself what the lumber-room was like, since that was the region that was so carefully sealed from youthful eyes. The tapestry brings to life imagination and fantasy within Nicholas, the interesting pots and candlesticks bring an aesthetic quality, visual beauty which stirs up his creative mind; and lastly a large square book full of coloured pictures of birds.
    The climax of the text. While the boy was admiring the colouring of a mandarin duck, the voice of his aunt came from the gooseberry garden. She got slipped into the rain-water tank and couldn’t go out. She demanded from the boy to bring her a ladder, but he said her voice didn’t sound like his aunt’s. “You may be the Evil One tempting me to be disobedient” – said a little boy desiding the Justice must be done. The Aunt tasted the fruit of her own punishment on the children. She is accused of falling from grace, of lying to Nicholas about jam and thus termed the Evil One. She feels what it is like to be condemned.
    The denouncement. The Aunt is furious and enforces in the house. She maintained the frozen muteness of one who has suffered undignified and unmerited detention in a rain-water tank for thirty-five minutes. Nicholas was also silent, in the absorption of an enchanting picture of a hunter and a stag.
    The ending of the story reveals the author’s social comment about the differences between the world of the child and adult. Though the aunt is furious, Nicholas is thinking about the hunter tricking the hounds by using the stag as a bait. It shows a great gap of indifference between the aunt and Nicholas. 

    In this text there are many stylistic devises, such as:
1.    Epithets (frivolous ground, considerable obstinacy, trivial gardening operation, unauthorized intrusion, grim chuckle, alleged frog, unknown land, stale delight, mere material pleasure, bare and cheerless, thickly growing vegetation)
2.    Irony (Aunt's condescending tone in describing Nicholas’ prank: disgrace, sin, fell from grace. The author is obviously using the Aunt’s own word choice to reveal her self-righteous attitude) , (trip to Jagborough which is meant to spite Nicholas fails. Instead of being a punishment for the child, it became a treat for him whereas it became a torture to those who went. The Aunt’s conception of “the paradise”. The real paradise is the Lumber-room not the garden. This reveals the irony that the ideal world of an adult is dull and boring to that of a child.)
3.    Metaphors (a circus of unrivalled merit and uncounted elephants, the flawlessness of the reasoning , self-imposed sentry-duty , art of fitting keys into keyholes and turning locks , region that was so carefully sealed from youthful eyes, many golden minutes of a ridiculously short range)